![]() The bottom line: for those sampling the famed New Year's concert for the first time, for those wanting classical music as part of the entertainment as an alternative to football, or for those collecting the entire series, this will prove a satisfying choice. Hungarian composer Franz Liszt began his career as the outstanding concert pianist of the century, who, along with the prodigious violinist Niccol Paganini (1782-1840), created the cult of the modern instrumental virtuoso. His father was Hungarian and his mother was Austrian. He was born in what was then the Austrian Empire. He's aided by strong live engineering from Sony Classical, which gets a sound with a bit more dimension than was achieved by Deutsche Grammophon in earlier iterations. Franz Liszt Born: Raiding, near denburg, OctoDied: Bayreuth, July 31, 1886. Franz Liszt, the virtuoso pianist and composer, was the most famous concert superstar of the 19th century. The same stolid quality that tends to dismay American critics when it comes to this conductor turns out to be just the ticket for this event, which he brings in with maximum precision and flash. Franz Schubert Tristan Schulze Jean Sibelius Bedich Smetana Richard Strauss Roland Szentpáli Peter Iljitsch Tschaikowsky Jan Dismas Zelenka Location. The conductor this time around is Franz Welser-Möst, who also ran the show in 2011. The center of the program is the Strauss family, above all the waltz king Johann Strauss II, with tasteful admixtures of other Viennese composers and a few sprightly pieces that are not dances, and so it is here. But really this is a ritual that needs to be repeated annually, for the benefit of Austrians and visitors alike. ![]() ![]() The orchestra may make noise about introducing some innovation to the program, as it does here with pieces by Verdi and Wagner in observation of the 2013 bicentennials of the births of both of those composers. Three Concert Études (Trois études de concert), S. The New Year's concert of the Vienna Philharmonic Orchestra has evolved into one of the regular tourist attractions of the old Austrian capital. A contemporary caricature of a Liszt concert in Berlin in 1842 depicts an audience of frenzied women variously screaming, swooning, trying to storm the stage.
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